Despite the many examples before Aamir Khan, his gaze towards differently-abled actors in his latest film is myopic, disingenuous and borderline utilitarian.
About The Author
Tatsam Mukherjee has been working as a film critic, culture reporter since 2016. He is currently based in Bangalore.
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Stolen director Karan Tejpal, producer Gaurav Dhingra and actors Abhishek Banerjee and Shubham Vardhan speak about the film, the state of the nation, and why artists can’t carry the burden of fixing society.
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Unlike the Australian cricket set-up, where even the “legends” are politely nudged towards the door, there’s little transparency in the Indian ecosystem which makes matters much more prone to speculation
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The Mohak Mangal vs ANI legal dispute could set the precedent for fair dealing amongst content creators in India, if it reaches its intended conclusion.
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As the 78th edition of the festival ended last week, here is a list of ten films that spoke to us, which have emerged out of Cannes.
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Take it easy, Urvashi.
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Ahead of the release of Mission: Impossible - The Final Reckoning, as the franchise wraps up, we look back at arguably its most underrated, understated entry.
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Jyoti Nisha’s Dr B.R.Ambedkar: Now & Then and Somnath Waghmare’s Chaityabhumi are both streaming on MUBI as a part of their Unbroken Blue: The Legacy of BR Ambedkar collection.
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A month ago, 34-year-old Aamir Aziz found that his poem had been used in an exhibit by renowned artist Anita Dube at the Vadehra Art Gallery, without due credit.
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The Atypical Protagonist is an interview series by 해외카지노 India exploring the evolution of the protagonist in the Hindi mainstream over the last decade, where actors have been able to carry a project without necessarily bowing down to the homogeneous notions of a ‘lead character’.
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